Θεατρική Εταιρία Persona - Select Published Research Articles and Chapters in Edited Volumes

Select Published Research Articles and Chapters in Edited Volumes

“Adaptation and the Ethics of Directing.” In Adapting Greek Tragedy: Contemporary Contexts for Ancient Texts (Cambridge University Press, Vayos Liapis and Avra Sidiropoulou, eds.), 2021.
“Permission/ Seduction/ Indulgence. Integrating Digital Media in the Theatre Making Process.” Skene. Vol. 7 No. 1 (2021): Virtual Theatre.
“Rethinking Authority, Creativity and Authorship in Twenty-First Century Performance. The Director’s Revised Role”. Critical Stages Issue 22, 2020.
“Making theatre around the world, and what it has taught me”. In Why the Theatre. (Routledge, Sid Homan, editor), 2020.
“Teaching Antigone by Sophocles”. In Chirico, Miriam and Kelly Younger, editors. How to Teach a Play: Essential Exercises for Popular Plays. Bloomsbury Press, 2020.
“Opening Up Discoveries through Promised Endings: an Experimental Work in Progress on Oedipus at Colonus and King Lear”. Co-authored with Eric Nicholson. Skenè. Texts and Studies (Studies I) series, 2019.
“City Narratives in European Performances of Crisis: The examples of Athens and Nicosia”. Critical Stages, 2019.
“Creating Beauty in Chaos: Robert Wilson’s Visual Authorship in Einstein on the Beach.” In Einstein on the Beach: Opera Beyond Drama (Routledge, Jelena Novak and John Richardson, eds), 2019.
“Identity, Technology, Nostalgia: The Theatre of Ivo van Hove, Robert Lepage and The Wooster Group ΑRCHÉE, ARTS MÉDIATIQUES & CYBERCULTURE”, 2018.
“Directing as Political Act: Staging Aeschylus’ Oresteia in Contemporary Periods of Tyranny.” Comparative Drama Vol. 52. 1-2. (Spring-Summer 2018)
“Playfulness and (Un) Performability in Gertrude Stein’s Modernist Drama.” Sinais de Cena Vol. II Issue 3, 2018.
“Staging Henrik Ibsen’s and Jon Fosse’s Mental Landscape. Myth, Allegory, and Mise-en-Scène in The Lady from the Sea and Someone is Going to Come.” Nordic Theatre Studies. Vol. 30 No. 1 (2018): Theatre and Money.
“Time’s Journey through a Room” dir. by Okada Toshiki/chelfitsch. Review. Asian Theatre Journal (2017) Vol. 34 No. 2: 474-479
“Directing and Leadership: Some Thoughts on the Efficacy of Endorsing the Stage to Generate Collaboration and Creativity Within Corporate and Educational Contexts”. In Playing Offstage: The Theatre As a Presence or a Factor in the Real World (Lexington Books, Sid Homan, editor), 2017.
“Contemporary Greek Approaches to Tragedy: Terzopoulos’ Revisions of Aeschylus.” In Contemporary Adaptations of Greek Tragedy: Global Directorial Perspectives (Methuen Bloomsbury, George Rodosthenous, editor), 2017.
“Mise-en-scene as Adaptation.” Critical Stages/Scènes Critiques, Special Topics: Adaptation Guest Editor Patrice Pavis The IACT webjournal/Revue web de i'AICT – June/Juin 2015: Issue No 12.
“Directors’ Theatre in Greece: Stages of Authorship in the Work of Michael Marmarinos, Yannis Houvardas and Theodoros Terzopoulos.” Gramma Journal of Theory and Criticism Vol. 22.
“Directing (for and) Across Cultures: The Adventures of And God Said through Greece, Turkey and Iran.” Research in Drama Education: The Journal of Applied Theatre and Performance Vol. 20, No. 3 (20^th anniversary issue).
“Adaptation, Re-contextualisation and Metaphor. Auteur Directors and the Staging of Greek Tragedy.” Adaptation. 2015 8: 31-49.Oxford Journals.
“L’eredità del postmoderno sulla scena greca contemporanea: l’esempio di Blitz, Kanigunda, Pequod. Greek Theatre in the 21^st Century. Culture Teatrali 23. Bologna, June 2014.”
“Staging Ambiguity: Re-shaping the Myth of Clytemnestra for the Stage.” Practitioners’ Voices in Classical Reception Studies. The Open University. Issue 4 (2014).
“Greece.” International Women Stage Directors. Fliotsos, Anne and Wendy Vierow, eds. Urbana, IL: University of Illinois Press. (November 2013).

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Select Published Research Articles and Chapters in Edited Volumes

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